Adhesion - Delphi Arrival
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- Publication date
- 2006-05-31
- Topics
- Electronic, Evil Residence Records, Crap Art, Experimental, IDM, Ambient, Album-A-Day, Vocoder, Pop, Downtempo, Breakbeat
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Versions - Different performances of the song by the same artist
Compilations - Other albums which feature this performance of the song
Covers - Performances of a song with the same name by different artists
Song Title | Versions | Compilations | Covers |
---|---|---|---|
Logos | |||
Isomorphism | |||
The Oracle | |||
Trivial Sun Surface | |||
Pale Blue Lights |
Notes
Logos - IDM-oriented piece that prominently features complex hi-hat work as well as other types of high-frequency glitch-style percussion. Melodic themes are introduced and developed on two interacting synth instruments, one of which is a chiptune-style square wave.
Isomorphism - Electro-vocoder-pop with emphasis on synthesized vocals. Features minor-key/pentatonic riffs, arpeggios and basslines backed by more traditional drum work. Lyrics describe a battle between different varities of math.
The Oracle - An ambient piece, featuring ethereal pads underscored by simple yet effective sub-bass throughout and tempered glitch percussion in the middle section. The harmonies tend toward the complex, with heavy use of extended chords and the occasional chromatic progression.
Trivial Sun Surface - Exploration of rhythm and structure with a breakbeat/trance setting. Begins with a polyrhythmic (4 against 3) drum & synth section followed by a more traditional homophonic melody-oriented part in half tempo. Then it transforms into a monophonic rhythmic workout followed by repetition and variation of the first two sections.
Pale Blue Lights - Downtempo, with emphasis on the pad carrying the main chord progression, supported by low bass and relatively simple electronic drums. The middle development features complex chords in an experimental progression without a distinct tonal center. Then the piece returns to the original theme with an overlaid synth melody.
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